Thomas Dewing's composition, which alludes to the theme of the Three Graces popular during the Italian Renaissance, creates a comforting sense of continuity with the past at a time of great change in America. His images of ethereal women posed in spare interiors or soothing landscapes were seen by some to provide a refuge from the clamor of modern cities. The ornate gilded frame was designed by his close friend, the architect Stanford White, and contributes to the work's decorative quality.